Miguel Sáez

Miguel Saez was born on October 5, 1975 in San Fernando (Cádiz).

He began singing with only 9 years of age accompanied by a guitar and from playing flamenco melodies he quickly moved to create his own songs. At 16 he composed his first song "Un Día Más" which can be found in his first album released in 1998 which he recorded with which was his label for several years, HORUS. It is entitled "Miguel Saez" and contains a total of twelve songs written by himself.

Two years later he released his second album entitled "Que Locura" with which he settles in the music world and that includes two duets with Yolanda Ramos and Gloria Gomez, and include songs such as "Mala Mujer", “Qué Locura” and “Mal Herío”.

With his third album "Dispárame" Miguel shows a more rocky side of his profile but without losing entirely that latin-flamenco touch that characterizes him.

Six years later, Miguel Saez load again but this time breaking all our schemes, DIVUCSA is the company that bids on him. "My Flow" (my style) is the title of the work where we find a different Michael than the ones we were used, demonstrating his versatility and evolution; ultimately, he is more mature both in lyrics and in the interpretations.

Miguel Saez is the first Spanish artist who dares to make a record of "Reggaeton" and endorses it as everything he touches, giving his personal touch reminiscent of his native Cádiz. This album includes twelve songs written by himself, a duet with Aitor García, and two ballads, one of them "Amanece en Mi" is the soundtrack of a Venezuelan soap opera.

This last one is the album where he gets more involved, participating in the production, traveling to Cuba and then choosing the songs included in the disc and participating in the recording of the video clip of his first single "Chicas Locas”.

After that, “La Vida Es Una Historia” and “El Séptimo Asalto” came out to sale with two years of separation. This last one brings songs with more energy, mixing salsa and other styles but always with reggaeton.

In addition to singing and composing for himself, so does Miguel Saez for other artists, like “Como quererte” for Yolanda Ramos, “Excúsame” for Raúl, “Quiero besarte” for Roser, “Que te den candela”, “Bandolero”, “Mentira” for Bea Bronchal, "Andaluces disparando cante" for Sergio Contreras.

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